Support for the AES67 standard allows interoperability with other AoIP protocols found in broadcast, install and live sound scenarios and simplifies audio transport between different systems.Ĭompatibility with Dante Domain Manager (DDM) enables integration with large networks and transparent routing across subnets as well as robust security and authentication options. One caveat to that is the studio computer and any devices running Dante Virtual Soundcard must be connected to the Dante network via a wired ethernet connection, wifi is not suitable. A dedicated Control Network port is provided for configuration using Dante Controller software. A second connection for redundancy is also an option but requires more networking hardware and most smaller studios will not need this. The front panel Primary and Secondary ports allow simultaneous connection to multiple Dante devices, or dual-cable redundancy with compatible hardware. WHAT IS DANTE REDUNDANCY Create two physically independent networks using Primary and Secondary Dante ports Audio flows on both networks at once, no failover No clicks or pops Completely automatic setup For mission critical systems. With 64 channels of bidirectional audio at 96kHz, the Dante 64×64 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately), with no compromise in audio quality. Designed to help integrate dLive and Avantis into a wide range of live, install and broadcast scenarios, the Dante 64×64 audio networking card offers low latency, high channel count connectivity to Dante networks and devices using standard networking cabling and hardware.
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